When the cartoons of The Lord of the Rings were made it was great since it was a representation of an epic story that people loved and something to feel excited about. But without the soundtrack it would have been a great movie that was still missing a little something as the haunting and soothing melodies that were threaded through the tale were a nice counterpoint to encapsulate and explain the action, the drama, and the overall feeling of the entire movie. Without the music it still would have worked, but with it, this movie was nothing short of brilliant. When Aragorn stops the party for the night and wanders off to for a while the hobbits do what hobbits normally do, they eat and in the process call attention to themselves. Frodo did his best to put the fire out but it was too late, and they were soon enough facing a band of wraiths that meant to take what they sought. By the time this movie ended people were ready to sit round for another couple hours to see it through to the end, not knowing that by the time Frodo and Sam were shown in the final shot that it would come to a close.
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5. A Knife in the Dark
And would Rivendell have looked quite so magical on screen without those undulating orchestral arpeggios? We think not. Here are our favourite moments in The Lord of the Rings score Concerning Hobbits is the very light Lord of the Rings melody first heard in The Fellowship of the Ring at the start of the franchise, and often in scenes of the Shire. Rivendell is characterised by sweeping strings and woodwind and voice arpeggios, punctuated by harp glissandi and bells. The glimmering soundtrack makes the waterfall-lined valley on screen sparkle even more than it otherwise would. When we first go to Rohan, we discover a magnificent castle atop a crag, and meet its horseback-dwelling people.
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In honor of Peter Jackson's film adaption of J. Let's be clear: None of these tracks are directly affiliated with the books or movies, but they all have at least one element in common: In some form or fashion, they're all inspired by Tolkien's famous works. So join us on this journey and find out which track will be the one to rule them all. Robert Plant dropped lyrical nods to Tolkien in numerous songs -- as a result, Zeppelin nerds have picked apart this eight-minute epic in a holy grail-like quest for references.
The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore. The scores are often considered to represent one of the greatest achievements in the history of film music  in terms of length of the score, the size of the staged forces, the unusual instrumentation, the featured soloists, the multitude of musical styles and the number of recurring musical themes used. Shore wrote many hours of music for The Lord of the Rings , effectively scoring the entire film length. Over 13 hours of the music including various alternate takes have been released across various formats. Shore conceived the score as operatic and antiquated-sounding. He made use of an immense ensemble including a large symphony orchestra principally, the London Philharmonic Orchestra , multiple instrumental "bands", various choirs and vocal and instrumental soloists, requiring an ensemble ranging from to musicians. Throughout the composition, Shore has woven over identified leitmotifs or over , when considering the music of the Hobbit films , which are interrelated and categorized into groups that correspond to the Middle-earth cultures to which they relate,  forming one of the greatest and most intricate collections of themes in the history of cinema. The score became the most successful of Shore's career, earning three Oscars, two Golden Globes, three Grammys, and several other nominations, and some of his themes like the Shire theme and songs earning great popularity. The score was the subject of a short documentary film called Howard Shore: An Introspective , and has even earned a dedicated research-based book by musicologist Doug Adams.